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Curren(t)cies
2021
Presentation of artistic research, metal construction, various printed materials, 3-channel video installation, format variable.
Curren(t)cies
2021
Detail
1. Eine von zwei Figuren: Frau mit Kind (two fgures of a woman with her child) - Vorgeschichtlich, um 3000 v. Chr. , Elfenbein/ Ivory ÄM 14441 und ÄM 17600 - text on the wall label inside the Egyptian Museum Part of the New Museum in Berlin.
2. Me on the way to the shower (reverse view, 2021, Videostill)
Curren(t)cies
2021
Detail
Presentation of artistic research, metal construction, various printed materials, 3-channel video installation, format variable.
Curren(t)cies
2021
Detail
Quote of Marina Garcés.
Curren(t)cies
2021
Under the leadership of the Egyptologist Richard Lepsius, the Royal Prussian Expedition to Egypt and Ethiopia was carried out between 1842 and 1845. Its mission was to acquire Egyptian originals and to scientifcally document monuments. On October 15, 1842, the expedition members climbed to the top of the Pyramid of Cheops to commemorate the birthday of Prussian King Frederick William IV. The bizarre scene of what was in a sense a colonialist first ascent and was captured in a drawing by Johann Jakob Frey and later published as a lithograph. This image is part of the display of the New Museum in Berlin. In the museum setting is not critically commented on the image, like the above text does in the database of the Berlin Art Library (German: Kunstbibliothek Berlin). The display names all white people on the image, but the two men who guided them and are with them in the center remain without a name.
Curren(t)cies
2021
Presentation of artistic research, metal construction, various printed materials, 3-channel video installation, format variable.
Curren(t)cies
2021
Detail of raw cut of audiovisual research material.
Curren(t)cies
2021
Detail of projector on pop-science book.
Curren(t)cies
2021
Detail of projected raw cut of video materials.
Curren(t)cies
2021
Detail of narrative and screenshots.
Curren(t)cies
2021
Detail of screenshots on the topic of the car as private and public space.
Curren(t)cies
2021
Detail of privatised beaches and advertisement.
Curren(t)cies
2021
Detail on real estate companies and the Egyptian government planning desert cities and generating desires through digital imagery.
Curren(t)cies
2021
Making a connection between German Egyptology and contemporary life experiences around the sites "explored" through the lens of a youn tour guide.
Curren(t)cies
2021
Presentation of artistic research, metal construction, various printed materials, 3-channel video installation, format variable.
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Introduction to the exhibition artists' works in German (by Susanne Jakubczyk)
Curren(t)cies travel invisibly. More silently than words, flowing, channeling: methodology and infrastructure. Human organizational patterns and roads, vehicles and architectures, are the flows (currents) and currencies of a globalized world. As a white, European artist, I engage with colonial expansion and exploitation. The connections between water circuits, bodies, resistance, romance, tourism, transportation, class, and historiography are part of a long-term artistic inquiry into feminist, anti-colonial, and transnational small group methodologies that I have been working on since 2019.
